Sculpt a tree zbrush
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| Koi fish zbrush | Achieving an organic look when texturing can be tricky, and I felt like texturing in Substance Painter instead of Designer gave me a lot more freedom to make customized variations quickly. Got the base for the leaf-like shape by moving the geo around using the Move brush and kept DynaMeshing when the geo was starting to stretch out too much. The opacity and veins masks helped me target the edges and give the veins a different color and roughness. Try to think ahead to minimize the back and forth you might have to do and constantly compare it with your reference. Using the inflate deformer with a negative value I quickly got a thin-looking leaf without having to manually do it. I decided to go with slightly different underwater plants than what you can see in the main reference because I wanted to have something more interesting and more variation below the surface as well. They came with their own animations, that I then set up in the sequencer and placed some keyframes to locations where I wanted them to travel to. |
| Daz3d zbrush | To save time, the smartest and easiest thing to do was to just duplicate similar-looking leaves around, and deform and edit them a bit as I went through them. Log in Join. We need your consent We use cookies on this website to make your browsing experience better. See more offers in My Account. You might also like. After all, it was just a water area with some foliage, and it can be very difficult to make something like that look pleasing and not just like a mess. What grabbed my attention was the vibrant color palette, and how it was something not often seen recreated in 3D. |
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| Koi fish zbrush | Everything was going to be baked down to a plane, so I set up a canvas of some sort in ZBrush already, like you would do when creating sculpted tileable textures. Your Cart View Full Cart. The process of s culpting the individual leaves:. The scales were done with alpha and roll brushes, as well as general finessing. |
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